small craft on a milk sea entstand aus brian enos vorliebe für soundtracks, die er anfang der 1970er für sich entdeckte und anderer musik vorzog. in zusammenarbeit mit den beiden jungen komponisten/musikern leo abrahams und jon hopkins entstand dabei ein werk voller sinnlichkeit, intimität und mystik, ausgedrückt mit den möglichkeiten und freiheiten moderner elektronischer musik. dabei kristallisieren sich die stücke mehr aus improvisation statt komposition und wirken für sich alleine gesehen wie das spiegelbild eines stummfilms - wie filme, die nur aus klang bestehen: klangfilme! damit reiht sich brian enos soundkosmos wie von selbst ein in die releasereihe des kultlabels warp, speziell zu dessen electronic listening klassikern aus den 1990ern

limited to 987 copies pressed on high quality virgin vinyl at rti and housed in an old-style tip-on gatefold jacket printed by stoughton. included is a coupon for drm-free mp3 download.
originally self-released as two cdrs in 2005. re-issued and re-mastered in 2008 by digitalis. this is the 2010 vinyl edition with full color artwork and brand new gatefold collage art created by ilyas ahmed.

fifth release on the acclaimed imprint from those lovely people over at the acclaimed sleazybeats blog. the dust just doesnt seem to settle at team sleazy who are set to unleash their fifth dish of mid-tempo filth. sbr005 should likely round out what has undoubtedly been more than a successful year for the sleazy beats crew. as hard as it might seem to upstage their recent sampler, this release by berliner daniel solar (of no more hits and dikso fame) is another trio of totally on point sleazy business which showcases daniels stellar skills. things start off with midfidelity funk, a snappy romp through steady synth and disco string territory. this little number delivers a perfectly spell-binding groove with nicely placed rhodes stabs, crisp tambourines and haunting vocal at the breaks. on the flip, twinkle love snaps out a sweet melange of piano, guitar/bass riff and morphing vocals that combine to give a lively mood and open atmospherics. finally, rounding up the ep is la fleur, a wonky yet punchy cut thats ripe with staunch drum sounds and strings amidst loopy vocal snippets for good measure. all three tracks ride a 110ish bpm groove that is likely to ring bells for those who have been following and digging the sleazy sound so far. the last few releases all sold out in a matter of weeks, so dont sleep on this. you know the drill by now: limited release, no repress.

elf wunderbar unaufgeregte miniaturen: 1986er-soundtrack vom krautrock-pionier.

chopshop vol.4 rides into peak-time disco and house party bombs, featuring devious mashups and remixes from australias 2009 dj/producer of the year dj agent 86 and media - connoisseur, almighty remixer and producer pied piper. side a, by agent 86, kicks off with an exquisite edit of >another one bites the dust< that is bound to rock any dance floor. agent 86 combines forces with t-rice to produce the next track, a straight-ahead, get down disco and hip-hop mashup of >whoomp! there it is<, guaranteed to funk-up the crowds. the flipside is dedicated to pied piper, delivering the goods with a killer mix of <mostly dub,< a classy and melodic disco groove. >concerto prelude< finishes off the release with an epic 7 minutes peak-time disco bliss. chopshop music vol.4 is the ideal package for crossing over styles with its dj-friendly edits that make people want to dance and party. as always bpms and timing is included on the artwork.

jatoma are all about the unknown and though they are new amongst us they remain cloaked in paradoxes and already questioned by many. some think that one of the members is a famed producer amongst 2 genius teenagers.
others project they are a side act for a band held in the highest regard. some will speculate they are just trying to get more attention by remaining unknown. the facts remain blurry and ambiguous but there remains an clear authenticity surrounding these factors - jatoma are clearly one of 2010s most inventive new acts our ears have had the pleasure to hear and its with our excitement we welcome them to kompakt. so enter their self-titled debut full length - >jatoma<.

following the smashing uk charts and radio with rescue me, skepta makes a highly anticipated return with new single cross my heart. the track sees skepta go hard? he splits serious bars about his life and success to date underpinned by dramatic strings, sweeping synths and a hard heavy n fast bass line. this second 12 has mixes from dj fresh hot on the heels of his massive gold dust fresh provides 3 killer mixes.

dust saver for your highvalueable turntables.

3 big techno tracks real stuff for the underground special decks tipp!

as you may already know about it, the artist costello (who is living in bordeaux at the moment) is releasing his first ep on boxon records. costello, 23 years old dj/producer, already appeared in international labels (plasmapool, party like us, big fish recordings, dust traxx chicago) and made remixes of artists such as missil, dilemn, stereoheroes, udachi or gooseflesh. thanks to his insane shows, his youth influenced by a good dose of strength and technique, and his electro 90s sounding break, rock or hip-hop, he managed to make a name.
supported by alex gopher, don rimini, missil, cyberpunkers, beataucue, the bloody beetroots, franki chan, mstrkrft, malente, larry tee, calvertron, polymorphic, tommie sunshine, human life, lazy rich, andre dalcanà, ...

after a long break, enemy is back with a brand new limited release. the limited ones are the very special releases on enemy that have been tested on dustins dj sets all over the world. this collab with mark broom is one funky tune that keeps on rocking from start till end. incredible driving, with a throbbing bassline and perfectly timed percussion. flip it over for the special edit select vs. gary beck remix!! great release once again from the enemy camp!

desksaver for your mixer, prevent for dust

big with: anja schneider, alejandro vivanco, ahmet sisman, anthony collins, benjamin fehr, cesar merveille, cesare vs disorder, david labeij, deetron, kabale & liebe, kiki, marco resmann, mark henning, matt tolfrey, paco osuna, pheek, tiefschwarz, à how beautiful is the rain! ?after the dust and heat, ?in the broad and fiery street, ?in the narrow lane, ?how beautiful is the rain!these, and far more than these, ?the poet sees! ?he can behold, ?aquarius old, ?walking the fenceless fields of air! ?and from each ample fold, ?of the clouds about him rolled, scattering everywhere,?the showery rain, ?as the farmer scatters his grain

fine irish punk drinking music by mr. irish bastard. slainte!

you can find normal dust everywhere, unloved and not at the right place. it settles between the breaches of your record collection, lays on top of the mixer and turntable and it drives a clean person nuts.
spielstaub (playdust) is different. it is entertaining, enjoyment and makes the people want to dance because spielstaub is about something else. it is the brand new record label of carsten schorr and zyrus.

brut! records baby sister label, pop!, sees its second release with popnonames spaces. an eclectic line-up, including joerg burger, freund der familie and paid for fame, remix the original three times over to offer a varied perspective of the same brave track. revving its engine, spaces drives you to experience things. it invites you to crack yourself open so that through that voluntary rift some new future might pour. bold, beautiful and formless it emerges, washed in a golden light. a baby nebula, perhaps if you are lucky, cradled in the spiral arms of a distant galaxy patiently building mass as it clumps gas and dust together. the important things often creep up silently…recognized only once they are there, even though you had given them no shape in your mind prior to their arrival. space gives possibility to what these forms might be, boundless in four-dimensions. its that expanding medium that allows imagination to roam without end…where the need to distinguish between what you know and invented evaporates and flows pure and clear as an ice cold stream.

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

this is the first part of staub (engl. dust) - a new series of giegling, which aims to release traditional techno music. dust because its about dusty tracks, if you consider the sound and the time of creation. the music of the first part is from 2003 and is produced by a guy, who disguises himself in the documents as vril. we discovered him in a secret subterranean archiv during the demolition of our hobby celler - the giegling. played and charted (top 7 , april 2010) by marcel dettmann (berlin)

hive audio is here – a brand new label, run by the makers of the infamous hive club, located in the the industrial quarter of zurich. the imprint was founded by samuel gmur and adrian wöllhaf, better known as animal trainer with some great releasing on oliver koletzkis stil vor talent, amongst others. zurich is not only party capital of beautiful switzerland, it is more and more becoming a habitat for talented and creative music producers and djs, who will now get a new international platform. releases will be held mainly by residents of the hive club itself – benja will be given the honour to start off with his track paradose. >paradose< impresses with a funky percussion loop, ultra-brief chords and scantily applied vocal snippets. benja keeps it dust-dry, leaving out every kind of frippery and lifting the track to a real &#64258,,oor-&#64257,,ller without any razzmatazz needed. on the &#64258,,ip we have a remix by christian burkhardt, who needs no further introduction. he turns the number into a real techno loop monster, which will catch you within a few beats, and then wont let loose again. hypnotic and twinkle-toed at the same time, his remix easily will suit any after hour or peaktime set to the same degree. christian burkhardt himself is also one of our favourite guests in the club. this is why, of course, we are double happy to welcome a hive club resident on our hive audio 001.

from hiphop breaks over nufunk to breakbeats and even some funky house rhytms, this is a maximum packed 6 track ep coming fom bigm productions. shooting star hayz is presented with a selection from his no.1 banger ghetto base/triggaphunk release. killer-dope. flipside the on freddy freshs label based mastermind rory hoy gives us an introduction to his breakbeats, b-boy breaks and nu-funk stuff previously released on his album >standing on dust< at howlin records.

debut album from italys marcello napoletano, the space voodo as a d12inch. includes the calm b 4 the storm with i.f.m. (francesco schito), and expressions of a miles man, a ode to miles davis. his previous 12inch has been a hit with over 50 big name djs worldwide.

the second installment in the split lp series is a dutch affair, but it has everything it needs and more to soon make name far abroad. each side of the record contains a complete work clocking in at about twenty minutes.
side a is >chime ep< by hydrus. the four tracks they contributed stand out because of their meticulous production and their wonderful sense of melody and emotion. this is music in the best electronic tradition, blending hiphop, idm, ambient, funk, drone and badass breaks. hydrus begins this twenty-minute journey with a funky bump and end it in a mess of nervous percussion, splintered to dust.
side b is an altogether positive and quirky piece of work by kettel. like most of his work of the last few years, >yellow baron< is exploding with beautiful melody. in six tracks kettel puts everything to work to make your head bop, to bring a smile to your face and a tear to the corner of your eye. classic stuff, without losing sense of experiment.

no. 3 in the renowned series dark stars on noir music gives you an even deeper insight into >noirs< weird head and critically acclaimed dj sets as we unleash some of the exclusive and previously unreleased noir edits. but dark stars volume 3 is much more than that. dark stars volume 3 is about the quality of house music. all tracks included have been big tracks for noir in the clubs and we guarantee they ve been tried in tested around the world before they made it to this compilation. we hope you enjoy the collection of quality music as much as we do

marcus mumford built mumford and sons after his long standing position as laura marlings drummer / harmoniser began to earn him praise from all who saw them play live together. his battered and raspy voice soars with emotion over massive swells of country tinged orchestral pop. lovelorn lyrics filled with hope, anger, fear and every passionate extreme in between mean mumford and sons are sure to achieve a massive amount of praise for their debut album sigh no more, which demonstrates the strength in both song and sound. togetherness is fundamental to mumford and sons. its there in the tightness of the arrangements, and the four part harmonies - its pretty unusual to hear pitch perfect harmonies that are also meaty, masculine and downright loud. and its in the simple fact that mumford and sons get such a kick out of playing together.

to those of you who know your techno, shawn rudiman should be a well-known name. a prolific producer, he has nevertheless always kept his quality control on a tight leash, and releases on 7th city, technoir audio, integrated, dust science & matrix (amongst others) have brought him a reputation of being one of the finest producers around of contemporary detroit style (aka melodic) techno. a nice taster on the last minimalsoul release (sashimi hi) has hence led on to a full ep, and its classic stuff...tough beats and esoteric but catchy melodies all tied up with an expansive production ethic make for a great listen, and (perhaps unusually with this style of music) for a great dancefloor experience too!

pete heller on remix duties here!! check the deeper moon dust remix on the flip too!!

redshape delivering here his fourth ep for delsin. continuing where he left us after his >blood into dust< ep. a sweet prelude for his album >the dance paradox< to come this autumn. tip!!

cesare vs disorder has become a name synonymous with dark tribal mystique of the whole ever-ness. now he returns to dumb-unit under his queen atom alias with 2 powerful moody exponent of summer fueled target mayhem. refuse greed is the monster of the 2 and is set to create precise dust storms of engraved monuments throughout the continents. beaten down circuit trek. forward, functional and expertly designed, it is the swiss knife of the hard motion. minsk is the trickster of the 2, the wild coyote data dash it goes deep and dark and slides through stacks like no other tin tit. hollow, resonant and compelling it s some fireside buzz log. it s out there ... now go find it ...

dust saver for your mixers. smoked/clear professional mixer dust cover fits pioneer djm-600/700/800 & xone-62/92. sehr gute qualität (maße 36 x 32.5 cm)

ill keep on loving you lays down a commanding piece of old fashioned electro-disco, particularly notable for its blurry, washed out vocals and stately downtempo synth-funk. next, >living without your lov< weighs in with a bassline that halfway between >another one bites the dust< and daft punks >around the world< before sublime synths, twangin guitar and vocal edits pile into the mix to round off a delightful piece of grade-a rose-tinted disco.

drop music is consistently the best selling deep house label in the world owned by one of the most prolific dance music producers the inland knights. everyone from mark farina, lawnchair generals, giom, fred everything, jazzy eyewear, dj heather, jay j, kaskade, bryan jones, ross couch, hipp e, laurent garnier, olivier desmet and mazi are caning it! drop music has had continued massive uk dance press support for their album dust till dawn and continued international support for all their releases.

brawther is a young frenchman from paris. this deephouse producer found his roots in the 90s house music vibe from new jersey, chicago, detroit, england and france. may it be true garage or deep house, the groove, spirit and energy of this period has touched him deep inside and he is now a fierce defender of what he calls true school house music as opposed to oldschool or new school: i hate when people say that this sounds old school and that style sounds old or whatever... for me, a vibe is timeless... in summer 2007, brawther releases his first e.p. under the name izmo as a 12inch on french label 9ts records, and response was great, supported and played by legendary tony humphries... disguised as a tribute to smack productions, his where is eddie e.p. touched people from all different scenes, from deep house to uk garage?

kann features with the fourth release two remixes from two special artists, we come a long with as friends and fans for a couple of years. sven weisemann retypes bender & sevensols evol peed into a typical but high class dubby version, that hold you captive from first chords and hats. on the other side there is a very special bouncing mix as a bomb from our buki good friend, dj, producer and newly singer daniel stefanik. he takes hand on brotherhoods memorial smith and applies himself for new house president. both tracks are originally taken from first record of kann in 2008.

nice price deal !!! this second outing in the series of special remix 12s from lee perrys the mighty upsetter album finds tony moody boyz thorpe back at the controls, and this time hes brought his full kit of soundsystem tools along to the job. rocking the spot on an uptempo steppers rhythm, his fired up take on international broadcaster is a tight sprung burst of bogle energy, laying righteous claim to the ground where dancehalls brash excitement meets dubsteps plunging bass dynamics. awash with selectah sounds and mile long reverb delays swirling around a monster sub-bass undertow, an insistent funkin for jamaica beat drives the ride while a slick sing jay hook from lsk rotates to habit forming effect. with the added attraction of mr scratch and mr manuva doubling on abstract deejay instructions ? adjust your face... adjust your waist - the propulsive five minute sunsplash of international broadcaster will kick up dust in every yard where they do the reggae clap. no vocal version excursion on the backside ups the needles to red on the dubwise meter for extra soundboy satisfaction.

miss kittin & the hacker are right back in action with the first commercially available single from their long awaited (and excellent) second album entitled, suitably enough, >two<. this 12inch comes with a remix by french newcomer maxime dangles. 1000 dreams reflects just one style on an album crammed full of ideas, songs, sounds, influences, hues and textures.first up is >1000 dreams (maxime dangles remix)<. maxime is a (comparatively) fresh-faced newcomer from valence in france, who previously has had some remarkable releases on labels such as colognes kompakt extra (speicher) and scandium records. he strips down the original and imbues it with a thumping melodic club vibe, utilising kittins vocal to devastating effect. nice stuff. very. 1000 dreams<. miss kittin and the hacker sprinkle space dust on a song that sounds like it has been germinated in a mid 70s discotheque, tended with loving care during the 80s and revealed to the world in 2009. a dreamy collision of influences, classic and new. 1000 dreams (instrumental). pretty much self-explanatory, this one. enjoy

played by karotte!!! his first release on leena music and old pal, falko brocksieper, jumps straight into the game, spinning heads into you-know-what with his new ep, >oblivion<. these two segments display brocksiepers attention to detail and clean cuts. its classical meets modernistic. >oblivion< is smooth in its nature adding a few tweaks, keys, plus a thumping baseline here and thereû mostly keeping it simple and real. a delightful treat for your feet. its b-side, >chemtrails<, is a melodic tool taking the baseline down a notch and pulling keys in and out of the background as subtle symbols and perfectly cut vocals weave in and out sounds of an evening dust. the digital bonus >breezer< will blow you away into an unknown world of modern electronica with hidden tweaks and minimal influence. former cologne scenemeister, falko brocksiepers leading edge producing skills have landed him recent releases on turning spork, treibstoff and, not to mention, his own thriving imprint, sub-static. the latest of his renderings, >heavy day<, came out after a long five years from his debut album release sweeping the club scene of its feet. of course its no secret that brocksiepers specialty is mixing his time capsuled goods into his new work

first vinyl pressing since the original 1988 royal records lp issue. started as a rumor, or more likely a threat, royal trux burst from the belly of nyc cum dc scum punks pussy galore in 1986. disinclined to follow the path of their host group, royal trux began the process of exploring their own identity, starting with recordings given to the end of music as we know it compilation. the idiosyncratic album offered skeletal projections of songs that betrayed a singular logic groomed on bizarre and previously unconnected realms of the rock canon.

part i of the 1991 megaseller in a special 180g double vinyl release.

permanent vacation present you the first 12inch release from their shiny new joint venture with the great swedish label service (who brought you studio, whitest boy alive, jens lekman, kool dj dust). together they bring us the embassy, a duo from gothenburg that makes the most beautiful songs. their sound is warm and light, but underneath the surface theres always some kind of tension, they sound like an ecstasy fuelled, jewel stealing balearic indie band on a permanent vacation at the riviera. or as they say themselves: underclass disco. the original of lurking (with a distances) sounds like a forgotten manchester rave anthem, while wunderkind tensnake made a little jam session with boney m in his parents basement to provide a heavy remix sporting a great sax and a killer panpipe!

this album is an explosive where energetic pieces cohabit with tracks that are so beautiful that they instantly bring tears to the eyes. the begining of an album in an art form in itself.

houzy , more than usual, new release for these 2 producers. great feedbacks from main djs !!!

mit >ask the dust< ist den briten ein ganz grosser wurf gelungen. housiger detroit techno im individuellen soundgewand und mit einem guten gespür für dramaturgie. >talking to yo< kommt vordergründig deep daher geht aber auf halber strecke in die vollen...

driven technoid detroit album by mark verbos

support by: slam, laurent garnier, gregor tresher, martin eyerer, danton eeprom, alexi delano,.. harthouse is proud to present you the new single of the french primary rock scan x. beginning his carreer in 1993 stéphane dri released noumerous tracks on noumerous labels since then and created an intellectual style of electronic music combined with pure dancloor power. so be prepared for the next dancefloor smasher from scan x. prism: starting with this licking kicks and the moldy synthesizer purr the prism starts reflecting all the dust and dirt that is hided in the doomed corners of the favourite underground dance machine placed in the basement

>the essence< ist eine hommage an 20 jahre dieser reduzierten tanzmusik, die uns immer wieder verzaubert, die nacht zum tag werden lässt und den tag zur nacht. >the essence< perfektioniert den stenschen stil, dabei entstehen minimalistische tracks, die sich nicht vor ihren inspirationen verstecken.

massive uk techno / electro mover !! a teenage fascination with the outer reaches of contemporary music (beefheart, psychic tv, non, pharaoh saunders, the fall) and stints in various bands saw wright ditch the physics degree and return to york university to study music technology. by the start of 1992 he had made the jump from enthusiastic amateur to record his first tracks with john dalby in the local finsbury park studios in york under the guise of germ.